What's Love Got to Do With It? - Image 2

What's Love Got to Do With It? - Image 3

What's Love Got to Do With It? - Image 4

What's Love Got to Do With It? - Image 5

What's Love Got to Do With It? - Image 6

View in a room

What’s Love Got to Do With It?

Framed size: 11 in. (h) x 8.5 in. (w)

$1,500.00

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Architecture and Design, Contemporary, Decorative Accent, Figurative, Framed, Garland, Intaglio Print, Linocut, Places, Portraits and People, Prints & Multiples, Social Commentary and History, Whimsy and Humor

About the work

Anabel’s bar was widely considered to be the most elegant club in the London. This is a hyperbolic statement, but it is not hyperbole; it was actually thought of that way. The artist Nicholas Garland sat in the club and sketched the people he saw there. He later created the linocuts which were used to create the prints that formed the Anabel portfolio.

The 14 prints in the portfolio are all, every one of them, superb. As the artist Lucian Freud wrote in the Introduction, “These linocuts are of a high order: they are works of art.” Remarkably, despite the two-dimensionality of a linocut, these pictures have depth and richness in their content; the figures we see in these pictures are immediately recognizable (not as specific people but as characters and personalities). The printing itself is only of the very highest quality, with luxurious inking on lovely paper.

The portfolio was specially commissioned by, and published by, Mark Birley, then the owner of Anabel’s. The edition was shown and made available only to the club’s members and friends. Works from the Anabel portfolio rarely reach the marketplace and consistently demand high prices.

Attributes	Value
Condition	Excellent Condition
Date	1980-2000
Type	Modern Print-Makers
Framing	Custom framed and matted using conservation materials
Medium	Linocust, Print
Signing, Dating, and Titling	Signed, dated, editioned, and titled en recto at bottom

Medium:

Hand-pressed linocut

Paper:

Mould-made Vélin Arches 300gsm paper

Publisher:

Mark Birley, London

Printer:

This picture was printed on the hand-presses at I.M. Imprimit, in London, under the supervision of the artist and master printmaker Ian Mortimer (who has been awarded the OBE for his fine printmaking).

Date:

1985

Signature:

Signed by the Artist in pencil, en recto lower right. Editioned en recto lower left. Titled en recto lower center.

Framing:

Professionally matted and framed in a solid black-stained Ash frame behind 99.9% UV-filtering art glass using strictly conservation materials.

Condition:

Excellent condition. A beautiful print, exceptionally-well inked, crisp edges, undamaged paper.

Framed Size:

11 in. (h) x 8.5 in. (w)

Paper Size:

20 in. (h) x 15 in. (w)