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Geometric Composition

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Abstraction, Framed, Hard-Edged Abstraction, Leger, Mid-Century Style, Post-War Twentieth Century, Pre-War Twentieth Century, Prints & Multiples, Serigraph (Silkscreen)

About the work

A beautiful abstraction, remarkably Cubist despite Fernand Leger’s work by the mid-1950s generally being far more organic.

From generously-inked plates.

A beautiful work that is just stunning in its custom walnut frame.

Attributes	Value
Condition	Excellent Condition
Date	1950-1960
Type	Modern Print-Makers
Framing	Custom framed and matted using conservation materials
Medium	Serigraph in Colors
Signing, Dating, and Titling	Signed in the plate

Medium:

Serigraph (silkscreen) and poichoir in colors after the gouache by Léger.

Paper:

Printed on Arches white wove paper and bearing the Arches watermark in the lower left margin.

Publisher:

Published by La Guilde Internationale de la Gravure, Paris, the second of ten compositions included in the portfolio Dix Serigraphies [Ten Screenprints].

Printer:

Printed by Jean Bruller

Date:

1954

Signature:

Signed in the plate en recto lower right. Hand-numbered in pencil en recto lower right margin. The monogram stamp of the printer is en recto in the lower left corner of the image.

Edition:

This is impression 240 out of the edition of 1000.

Framing:

Custom framed in oiled and waxed walnut, with spacers lifting the UV-Filter Plexiglass one-quarter-inch above the mat. All conservation materials.

Condition:

Excellent condition, without damage or flaw; paint is applied thickly and clear.

Framed Size:
36 in. (h) x 28 in. (w) ×

Sheet Size:

28 in. (w) × 36 in. (h)

Window Size:

36 in. (h) x 28 in. (w) ×

Image Size: