View in a room

Pushkin Gardens II

Leonard Lehrer

Framed size: 27.125 in. (h) × 34.675 in. (w) x 1.25 in. (d)

$2,950.00

Taxes and shipping fees will apply upon checkout

Architecture and Design, Blacks and Grays, Contemporary, Figurative, Framed, Landscape, Landscape, Seascape, or Still Life, Lehrer, Lithograph, Monochromatic, Places, Post-War Twentieth Century, Prints & Multiples, Two-Toned

About the work

This work demonstrates Leonard Lehrer’s primacy as a printmaker. Marrying together bold lines with subtle shading, he creates a remarkable three-dimensionality. This beautiful rendition of the opulent Pushkin Gardens, Russia’s first landscape garden when it was built in about 1770 by Catherine the Great, simultaneously has the character of a line drawing with the aliveness of the hyperrealists. This technique, found in all of Lehrer’s Formal Gardens works and a Lehrer hallmark, is difficult to achieve successfully in the challenging arena of lithography.

Perhaps more important to Lehrer’s legacy is his interweaving of classical balance and extreme order, on the one hand, with a romantic vision on the other. He was deeply interested in structure and balance and harmony, with the result of great but restrained beauty.

This work was done while Lehrer was the Director of the School of Art at Arizona State University, working with the legendary print-maker Jules Heller, and was printed at the equally-legendary Tamarind Institute with the assistance of master printmaker Harry Westlund.

This work is part of Lehrer’s Formal Garden series, which also includes “Formal Gardens” (1975), “View of St. Petersburg (1978), “Sabika” (1972), “Royal Garden (Herrenhausen)” (1977), “Italianate Garden” (1973), and “La Granja de San Ildefonso” (1978).

Lehrer is among the country’s leading printmakers, with works at The Museum of Modern Art, The Metropolitan Museum of Art, The Corcoran Gallery of Art, The National Gallery of Art, and The Bibliotheque Nationale de France.

Attributes	Value
Condition	Excellent Condition
Framing	Museum-Quality Framing
Medium	Lithograph, Print
Signing, Dating, and Titling	Signed by the artist en recto
Date	1970-1980
Type	Modern Print-Makers

Medium:

Relief print from stone engraving lithograph printed in tan, blue, and then black ink

Paper:

BFK Rives

Date:

1973

Printer:

Printed at Tamarind Institute by the artist in collaboration with Master Printer Harry Westlund.

Signature:

Hand-signed in Pencil by the artist en recto lower right. Titled in pencil by the artist en recto center. Numbered in pencil by the artist en recto lower left. Bearing the blindstamp of Tamarind Institute.

Edition:

The fifth impression from the edition of 25.

Framing:

Custom matted and framed using strictly conservation-grade materials in a black-painted heavy wood frame behind 99% UV-blocking glass.

Condition:

Good condition. Some rippling. Light scratch upper middle. Abrasions verso. Clean, well-inked, presents very well.

Framed Size:

27.125 in. (h) × 34.675 in. (w) x 1.25 in. (d)

Sheet Size:

22 in. (h) x 30 in. (w)

Image Size:

20 in. (h) x 27 in. (w)